breathethedownbow:

fyeahclassicalcomposers:

I dunno if you guys could tell, but I’m very into the lives of the Schumanns, and as an extension, Brahms, and I did a lot of research over a year about their stories and works and everything, and even incorporated a lot of those elements into my writing (including the names of people I mention henceforth)

So the other day we were assigned this academic reading in theory and I just completely lost my, excuse me, shit, because this guy decided that theory papers, especially those on metrical theory, were too boring so he wrote it as Eusebius, Raro, and Florestan, AKA Robert Schumann’s alternate personalities with which he wrote music reviews (most likely before his mental health began to take a turn) and potentially even pieces (afterwards)

The premise is that the theorist’s piece on metrical dissonance in Schumann’s works has been sent back through time and Eusebius and Florestan are reading it and commenting on it and if you think musicians or theorists are boring you better open your eyes for Johannes Brahms’ sake

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and now you know I am not joking

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but as you can see

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there’s a reason I’m losing my shit

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holy mother of Franz Liszt

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coffee freaking models of dissonance

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you thought you nightblogged huh

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we are Chiarina

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music theory fanfiction

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complete with ship

(source)

(background: in my NaNo 2011 novel, three of the characters were Raro, Eusebius, and Florestan and I just I cannot handle this)

tierradentro:

Game of Chess“ (with detail), 1839, Josef Danhauser.

One of my favorite Biedermeier period works from my visit to the Belvedere Museum. The recurring subject is the victory of women over man - not only represented on the chessboard, but also as an allegory with the statue of Queen Omphale with her slave and future husband, Hercules. And yes, all odds are that the handsome gentleman sitting at the piano is none other than Franz Liszt.

(Apparently, the painting depicts a real event - a chess match between a banker named Escales and a Hungarian noble woman. They played because the lover of the noble woman had a big debt to this banker and that was the way she could gain back the debts - which she managed to do. Check the full story here.)

POSTED October 31, 2013 @ 11:00 WITH 395 notes
REBLOGGED FROM: pianistmd (SOURCE: tierradentro)
ARTIST: Franz Liszt
TRACK: Schubert Song Transcriptions: XII. Erlkönig
ALBUM: Schubert Piano Transcriptions
POSTED October 09, 2013 @ 10:35 WITH 16 notes
REBLOGGED FROM: allegroassai

cimedu:

Love is in the air at the Cleveland Institute of Music…and it seems to be having a most peculiar effect on even the most serious and austere among us—from CIM’s student government’s holiday hugs and kisses to the composition of Valentines of all kinds.

Enjoy and share these playful Valentines with any of the music lovers in your life. Feel free to download and print them for the one(s) you love. You could even use them as CD covers for a “mixed tape” of romantic works.

ARTIST: Sviatoslav Richter
TRACK: Liszt: Hungarian Rhapsody No.17 in D minor
ALBUM: The 19 Hungarian Rhapsodies played by 19 Great Pianists
POSTED September 23, 2013 @ 12:11 WITH 28 notes
REBLOGGED FROM: thepianoblog (SOURCE: whitejuices)
ARTIST: Vladimir Horowitz
TRACK: Consolation, S.172 No.2 in E major
ALBUM: Horowitz Plays Liszt
ARTIST: Unknown
TRACK: Liszt: Consolation No.2 In D Flat Major S.172
ALBUM: 행복을 여는 아침을 위한 Classic Piano
POSTED September 19, 2013 @ 06:03 WITH 9 notes
REBLOGGED FROM: intothec
anotherpianist:
“ Liszt’s writing, Wenn die letzten Sterne bleichen
”

anotherpianist:

Liszt’s writing, Wenn die letzten Sterne bleichen

POSTED September 03, 2013 @ 06:12 WITH 865 notes
REBLOGGED FROM: pianistmd (SOURCE: sometimesapianist)
La Musique de Piano, I | [listen here] | a selection of enlightening piano compositions by Chopin, Liszt, Mendelssohn and Schumann
“ i. liebestraume - liszt | ii. venetian gondolied - mendelssohn | iii. tristesse - chopin | iv. des abends - schumann...

La Musique de Piano, I | [listen here] | a selection of enlightening piano compositions by Chopin, Liszt, Mendelssohn and Schumann

i. liebestraume - liszt | ii. venetian gondolied - mendelssohn | iii. tristesse - chopin | iv. des abends - schumann | v. un sospiro - liszt | vi. lieder ohne worte op. 85 no. 1 - mendelssohn | vii. nocturne in c sharp minor - chopin | viii. von fremden landern - schumann | ix. au lac de wallendstadt - liszt | x. lieder ohne worte op. 30 no. 1 - mendelssohn | xi. raindrop prelude - chopin | xii. in der nacht - schumann | xiii. consolation no. 3 - liszt | xiv. romans sans paroles op. 19 no. 1 - mendelssohn | xv. nocturne op. 9 no. 1 - chopin | xvi. traumerei - schumann | xvii. mephisto waltz no. 1 - liszt | xviii. sonata op. 106 - mendelssohn | xix. prelude in e minor - chopin | xx.davidsbundlertanze - schumann | xxi. les adieux - liszt | xxii. fantasie op. 28 - mendelssohn | xxiii. ballade no. 1 in g minor - chopin | xxiv. piano sonata no. 1, mvmnt. 1 - schumann

Let it be grandiose, but not pompous. Music must never sound pompous. It must sound noble, noble. That is the absolute character of music, is nobility, you see. Even popular music must be noble. Really. If it’s not noble then it’s not very good. It must always have the quality of nobility of music. You see, music is an art of emotion, of nobility, of dignity, of greatness, of love, of tenderness, all of that must be brought out in music, but never show-off pompousness. It is good for sometimes. Liszt liked to show what he can do. But Liszt wanted sometimes to show the technique. He would write things absolutely for the technical quality. But there is always music behind it – always. You play La Campanella and there is always music behind it; there is always a certain nobility, even if you show off.

 - Arthur Rubinstein
ARTIST: Lazar Berman
TRACK: Transcendental etude #4 Mazeppa-Franz Liszt
ALBUM: BERMAN plays Liszt
ARTIST: Franz Liszt
TRACK: Consolations: Lento placido
ALBUM: Piano Music
POSTED August 06, 2013 @ 02:37 WITH 36 notes
REBLOGGED FROM: allegroassai
freedomnotincluded:
“ mean-old-levee:
“ dystolism:
“ Franz Liszt (1811-1886), the world’s first “rockstar”, he arguably composed some of the world’s most difficult piano pieces and made a storm in every city he went, the women went crazy for him,...

freedomnotincluded:

mean-old-levee:

dystolism:

Franz Liszt (1811-1886), the world’s first “rockstar”, he arguably composed some of the world’s most difficult piano pieces and made a storm in every city he went, the women went crazy for him, hence the term “Lisztomania”, (yes, Lisztomania, justlike the songbyPheonix). He was a complete womanizer and slept with women in every town, city and he was wanted dead by many fathers.

R u kidding me

no they’re not kidding his gloves were always ripped to pieces and he had many fans and wow i understand them 300% like look at that face damn he’s hot

i mean just look at his goddamn face where can you find a guy who’s just as angelic as he is sexy

POSTED August 01, 2013 @ 09:14 WITH 184 notes
REBLOGGED FROM: vedderofficial-deactivated20150 (SOURCE: dystolism-blog)

mazariin:

My favorite classical composer

Frédéric Chopin | Antonio Vivaldi | W. Amadeus Mozart
Franz Lizst | Ludwig van Beethoven | Giuseppe Verdi
Niccolò Paganini | Pyotr I. Tschaikowsky | S. W. Rachmaninow